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Necklace


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Jensen jewellery shines in Boston

18 September 2014

This silver and labradorite floral necklace designed by Georg Jensen c.1915 sold for $17,000 (£10,970) at a recent auction held by Skinner of Boston.

Pearls pack £110,000 punch

30 June 2014

Martel Maides of St Peter Port, Guernsey offered a single-strand pearl necklace for sale with a £1500-2000 estimate on the assumption they were natural saltwater pearls – the highest bidder reserving the right to send them for laboratory testing prior to settling the bill.

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The £190,000 Victorian diamond necklace

23 December 2013

A Victorian diamond rivière necklace sold to an anonymous bidder for £190,000 at Duke’s of Dorchester earlier this month.

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Do buying patterns reflect present conditions?

23 December 2004

Is there a Christmas factor in the auction rooms? Cheffins auctioneer Jonathan Law (Buyer’s premium: 15 per cent) believes that the season may have some effect in putting a little pressure on people to buy rather than wait.

New young collectors vie with keen Cornish for Troika

15 June 2004

AUCTIONEERS David Lay (15% buyer's premium) of Penzance can rely on strong local demand for home-grown collectables such as Newlyn copper and Troika pottery at the bi-monthly sales.

Kashmir necklace sold at Dreweatt Neate

31 March 2004

Few pieces of Victorian jewellery have survived in such sparkling condition as this Kashmir sapphire and diamond necklace which sold at Dreweatt Neate’s Donnington Priory saleroom near Newbury last week for £240,000 (plus 15/10% premium) – the highest ever price for jewellery at a provincial saleroom.

Early 19th century diamond necklace

02 May 2002

“It was like the 1970s all over again,” said John Benjamin of Woolley and Wallis, describing the breadth of quality at his jewellery sale in Salisbury on April 24-25.

Feathers help necklace to take off

12 April 2002

THE Prince of Wales feathers to this Victorian gold fringe necklace, right, revealed that it was manufactured by Robert Phillips of Cockspur Street, London, whose signature the royal feathers were, but it may as well have been the work of any number of designers working in the Etruscan Revival style during this period – Carlo Giuliano, John Brogden or Augusta Castellani.